THE INSTALLATION FEATURES TWO GLASS TANKS, ONE LOCATED IN NAGOYA, JAPAN AND THE OTHER IN NEW YORK CITY, BOTH FILLED WITH A FORMALDEHYDE SOLUTION AND CONTAINING A HUMAN PLACENTA. THE TANKS ARE EQUIPPED WITH CCTV CAMERAS THAT MONITOR THE INSTALLATION AND THE GRADUAL DECOMPOSITION OF THE PLACENTAS.THROUGH THIS INSTALLATION, THE ARTIST IS NOT ONLY SHOWCASING THE NATURAL PROCESS OF DECOMPOSITION, BUT ALSO USING SCULPTURE AS A MEDIUM TO EXAMINE THIS PROCESS. THE USE OF FORMALDEHYDE SERVES AS A MEANS OF PRESERVATION, ALLOWING THE ARTIST TO CONTROL AND MANIPULATE THE RATE OF DECOMPOSITION, AND THUS, THE SCULPTURE ITSELF. THIS MANIPULATION, HOWEVER, DOES NOT NEGATE THE NATURAL PROCESS BUT RATHER HIGHLIGHTS IT, EMPHASIZING THE RELATIONSHIP BETWEEN ART AND NATURE.